Jo Shapcott, Kim Moore & Jennifer Lee Tsai with music from Chris Davies: 25 January 2020

Free event at the Whitworth Art Gallery, Manchester on Saturday 25 January 2020 at 2.30-4.00. Everyone welcome. All areas of the Gallery are accessible and there are several parking bays on Denmark Road for disabled visitors.

Jo Shapcott

Jo Shapcott was born in London. Poems from her three award-winning collections, Electroplating the Baby (1988), Phrase Book (1992) and My Life Asleep (1998) are gathered in a selected poems, Her Book (2000). She has won a number of literary prizes including the Commonwealth Writers’ Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition (twice). Tender Taxes, her versions of Rilke, was published in 2001. Her most recent collection, Of Mutability, was published in 2010 and won the Costa Book Award. In 2011 Jo Shapcott was awarded the Queen’s Gold Medal for Poetry.

 

Kim Moore

Kim Moore’s first collection The Art of Falling (Seren, 2015) won the 2016 Geoffrey Faber Memorial Prize. She won a Northern Writers Award in 2014, an Eric Gregory Award in 2011 and the Geoffrey Dearmer Prize in 2010.  Her pamphlet If We Could Speak Like Wolves was a winner in the 2012 Poetry Business Pamphlet Competition.  She is currently a PhD candidate at Manchester Metropolitan University and is working on her second collection.  Along with Clare Shaw, she is Co-Director of Kendal Poetry Festival.

 

 

Jennifer Lee Tsai 

Photo credit: Suzanne Lau

Jennifer Lee Tsai is a poet, editor and critic. She was born in Bebington and grew up in Liverpool. Jennifer is a fellow of The Complete Works III and a Ledbury Poetry Critic. Her poems are featured in the anthologies Ten: Poets of the New Generation (Bloodaxe: 2017), Islands Are But Mountains: New Poetry from the UK (Platypus Press, 2019) and have been published in various magazines and journals including Oxford Poetry, The Rialto, SMOKE, Soundings, Ambit, Wild Court and Magma.

Jennifer is an Associate Editor of SMOKE magazine and a Contributing Editor to Ambit. She is currently a PhD student in Creative Writing at the University of Liverpool.

Her debut poetry pamphlet Kismet (2019) is published by ignitionpress.

Chris Davies

chris-davisChris is a Musician, Composer, Performer, Buddhist, Hairdresser and Oudist with over thirty years experience working in the Arts, mainly with visual theatre and dance. His current projects are composing music and performing in a new adaptation of the 12th century Sufi poem ‘The Conference of Birds’ by Farid ud-Din Attar; he continues to perform live accompaniment for the first full length animated film ever made ‘The Adventures of Prince Achmed’, with a play called ‘Spring Reign’ about the situation in Aleppo, Syria; he is saxophonist/raver with Mr Wilson’s Second Liners who play early 90’s dance classics in the style of a New Orleans Brass Band, a few haircuts, transforming the mind through Buddhist study and practice, and sound technician for Poets and Players. For more information please look here ~ http://www.musichris.co.uk

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J O Morgan and Maria Stepanova with Sasha Dugdale (translator) with music from Phil France: 22 February 2020

Free event at the Whitworth Art Gallery on Saturday 22 February at 2.30-4.00. Everyone welcome. All areas of the Gallery are accessible and there are several parking bays on Denmark Road for disabled visitors.

J O Morgan

J. O. Morgan is the author of six books, each a single, book-length poem. His works have been shortlisted for both the Forward Prize and the T.S.Eliot Prize, with his most recent book Assurances (2018) also winning the Costa Award for Poetry. His forthcoming work, The Martian’s Regress (due March 2020) is underpinned by aspects of ecology and migration, as well as the long-term future of the human race.

 

 

 

Maria Stepanova with Sasha Dugdale (translator)

Maria Stepanova is a poet, essayist, journalist and the author of ten poetry collections and two books of essays. She has been awarded several Russian and international literary awards (including the prestigious Andrey Bely Prize and Joseph Brodsky Fellowship). Her book In Memory of Memory is a book-length study in the field of cultural history. It won Russia’s Big Book Award in 2018 and will be published in English by New Directions in the US and Fitzcarraldo in the UK in 2020. Her collection of poems War of the Beasts and the Animals will be published in English by Bloodaxe in 2020.

Sasha Dugdale

Sasha Dugdale has published four collections of poems with Carcanet, most recently Joy in 2017 which was a PBS Choice. The title poem won the Forward Prize for Best Single Poem in 2016. She is a Russian translator and is currently working on translations of the Russian poet Maria Stepanova to be published by Bloodaxe and Fitzcarraldo Editions in 2020. She is former editor of Modern Poetry in Translation and poet-in-residence at St John’s College, Cambridge (2018-2020).

 

Phil France

Originally from West Yorkshire, but now resident in Manchester, composer, bassist and producer Phil France is probably best known as a key collaborator alongside Jason Swinscoe in the Cinematic Orchestra, where he co-wrote, arranged and produced on classic albums including Everyday, Man With The Movie Camera, Ma Fleur and also the triple award winning soundtrack for The Crimson Wing nature documentary. In 2013 France released his debut solo album, The Swimmer (GOND016), an emotive, epic record influenced by the great second wave of film composers including John Carpenter and Vangelis, as well as minimalist composers such as Steve Reich and Philip Glass.

Five years later France presents the follow up, the enigmatically titled, Circle, which again represents a very personal journey for the artist. For France the album is an extension of work he began on The Swimmer. A process he has described as: “ blocks of sound containing intricate minimal arpeggiated patterns and electronic textures that develop and shift in subtle, original and melodic ways. The trancelike quality, mood and electronic character of title track Circle led France to think of the circular patterns which eventually became a potent concept for the album as for France “The Circle is infinite – During the process of making this record, I have been constantly reminded that nothing ever stays the same and that all is in constant flux. The challenge for me is always to respond positively, be aware of and seize the opportunity for progression constant change provides” And it is that sense of movement and flow, but also calm and beauty that permeates Circle and make it such a worthy successor to The Swimmer.

The Guardian:   ‘Phil France’s Circle sees the former Cinematic Orchestra bassist and composer creating a series of simple, unfolding minimal pieces, all arpeggiated synths and warm oscillator drones. The results sound, variously, like Vangelis discovering acid house, or Mike Oldfield mutating into Nils Frahm, or New Order’s Elegia transformed into a minimalist symphony’.

Gilles Peterson: ‘A brilliant album’.

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Workshop with J O Morgan

We are pleased to host a workshop with J O Morgan on Saturday 22 February 2020, 10.30-12.30 at the Whitworth Art Gallery, Manchester.

The fee is £20. Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:

Workshop Payment £20Pay Now Button with Credit Cards

J O Morgan

J. O. Morgan is the author of six books, each a single, book-length poem. His works have been shortlisted for both the Forward Prize and the T.S.Eliot Prize, with his most recent book Assurances (2018) also winning the Costa Award for Poetry. His forthcoming work, The Martian’s Regress (due March 2020) is underpinned by aspects of ecology and migration, as well as the long-term future of the human race.

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Workshop with Jo Shapcott: 25 January 2020

THIS WORKSHOP IS NOW FULL

 

 

Workshop with Jo Shapcott on Saturday 25 January 2020, 10.30-12.30 at the Whitworth Art Gallery, Manchester.

The fee is £20. Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:

Workshop Payment £20Pay Now Button with Credit Cards

Jo Shapcott

Jo Shapcott was born in London. Poems from her three award-winning collections, Electroplating the Baby (1988), Phrase Book (1992) and My Life Asleep (1998) are gathered in a selected poems, Her Book (2000). She has won a number of literary prizes including the Commonwealth Writers’ Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition (twice). Tender Taxes, her versions of Rilke, was published in 2001. Her most recent collection, Of Mutability, was published in 2010 and won the Costa Book Award. In 2011 Jo Shapcott was awarded the Queen’s Gold Medal for Poetry.

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Competition 2020: closing date 21 January 2020

Our competition is now closed. Good luck to all who entered. And thanks to everyone who helped us spread the word.

 

 

 

 

 

 

We are pleased to announce the 8th poetry competition run by Poets & Players, one of Manchester’s leading organisers of poetry and music events.

Our judge for 2020 is Sinéad Morrissey

Sinéad Morrissey has published six collections of poetry: There Was Fire in Vancouver (1996); Between Here and There (2002); The State of the Prisons (2005); Through the Square Window (2009); Parallax (2013) and On Balance (2017). Her awards include the Irish Times Poetry Now Award (2009, 2013) and the T S Eliot Prize (2013). In 2016 she received the E M Forster Award from the American Academy of Arts and Letters. On Balance was awarded the Forward Prize in 2017. She has served as Belfast Poet Laureate (2013-2014) and is currently Director of the Newcastle Centre for the Literary Arts at Newcastle University.

 

What previous judges have said about the Poets & Players Competition:

When Poets & Players asked me to judge their competition I happily agreed. It’s an organisation I have long admired, from its earliest days with the inspiring founder Linda Chase, to today’s impressive incarnation in the splendid Whitworth Gallery. (Pascale Petit, 2018)

Poets & Players is one of the most significant and impressive poetry organisations in the country: the quality of the readings it puts on, its presence in the city is remarkable, so I’m delighted to be part of it in judging this competition. (Michael Symmons Roberts, 2017)

What was electrifying about this year’s entries … was not just the wide and eclectic range of subject matters … but also the range of forms and tones, the many tongues and registers that together created a resonating and distinct entry of poetry. (Jackie Kay, 2016)

What a fabulously organised competition… One tries to dissuade people from the idea of competitions but if you’re going to have one have it like this. (Paul Muldoon, 2015)

It was actually really fun judging the competition because you get the sense of what is happening in poetry right now … it was fascinating to take the temperature, as it were, of contemporary poetry. I’d like to thank Poets and Players organisation for running the competition, for wanting to run the competition, but also in general for the work that they do in promoting poetry in Manchester and the broader area, it’s a commendable organisation and I’m delighted to be associated with it. (Vona Groarke, 2014)

This competition was scrupulously organised, and I loved the fact that the anonymity of the entries allowed each poem to speak for itself. (Jacob Polley, 2013)

POETS & PLAYERS PRIZE

Sinéad Morrissey will read ALL poems. All poems will be judged anonymously.

1st Prize: £600
2nd Prize: £200
3rd Prize: £100

Commended poets at the judge’s discretion.

Closing Date: Tuesday 21 January 2020

Winners will be informed by Tuesday 17 March 2020 and will be invited to read alongside Sinéad Morrissey at the prize giving ceremony on the afternoon of Saturday 4 April 2020 at the Whitworth Art Gallery, Manchester. If you have not been notified by 17 March 2020, we are afraid you have not been successful.

RULES AND OTHER INFORMATION

  • The competition is open to anyone over the age of 16, except for members of the Poets & Players committee.
  • Poems must be in English, typewritten in single space, font size 12. Please begin each poem on a new page but multiple online entries should be contained in a single document.
  • Poems can be on any subject, in any style or form, but must be the author’s own original work. They should not have appeared anywhere before, online or in print. Please do not submit poems that are currently under consideration elsewhere.
  • Maximum line length for individual poems is 40 lines (excluding title). Please do not include photographs or illustrations.
  • No changes can be made to poems once submitted and we regret that we are unable to provide feedback or make any refunds.
  • You may submit as many poems as you wish, accompanied by the appropriate payment and application form/s.
  • Please note that all competition entries must reach us by Tuesday 21 January 2020, (online entries may be submitted up to 12 midnight on this date (GMT); postal entries must be received in our mailbox no later than Tuesday 21 January 2020). Entries arriving after this date will not be considered.

HOW TO ENTER

ENTER BY POST

ALL entries must be accompanied by a completed application form (see the link below):

Competition Application Form 2020

  • Please post the completed Competition Application form and poems to: Poets & Players Poetry Competition, Poetry Dene, 16 Clifton Street, Bury, Lancashire, BL9 5DY.
  • If you wish to receive confirmation of your entry please enclose a prepaid envelope.
  • Poems must be printed on separate, numbered sheets, word processed (or typed) and clearly legible (single spaced and font size 12).
  • Please do not include your name or other identifying information on the same page as the poem/s. All poems will be judged anonymously.
  • You may enter as many poems as you wish but please ensure you add all poem titles to the application form/s.
  • Entry fee is £4 per poem or 3 for £10. Please do not send cash. Postal entries must be paid by cheque or postal order (only email entries may use PayPal). Please make payable to ‘Poets & Players’ and send together with your poem/s and Competition Application form to the address above.

ENTER BY EMAIL

ALL entries must be accompanied by a completed application form (see the link below):

Competition Application Form 2020

Please email the completed Competition Application form and poems to
P-Pcomp@mail.com All email entries will be acknowledged.

  • Please ensure that all poems are sent as a single attachment and not in the body of the email. Please use your name as the title of the document (poems and application form can be in the same document but must be on separate pages). If you are submitting more than one poem you should include them all in the same attachment but please ensure pages are numbered and start each poem on a new page. Single spaced and font size 12. Please save documents as doc, docx or PDF.
  • You may enter as many poems as you wish but please ensure you add all poem titles to the application form/s.
  • Please do not include your name or other identifying information on the same page as the poem/s. All poems will be judged anonymously.
  • Entry fee is £4 per poem or 3 for £10. Email entries must be paid by PayPal. IMPORTANT please include the PayPal reference number on the application form.
      • Single poem £4 Pay Now Button with Credit Cards
      • Three poems £10 Pay Now Button with Credit Cards

CHECKLIST: Completed Application Form; poems on separate sheets (with no identifying information); cheque or postal order made payable to ‘Poets & Players’ (if submitting by post); PayPal reference (if submitting by email).

COPYRIGHT

Entrants retain copyright of their poem, however, we would hope to receive permission to make a video recording of the winners reading at the awards ceremony for our website, and to publish the winning poems on our website and/or in the Whitworth Art Gallery for one year after the competition.

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Workshop with Michael Schmidt: 23 November 2019

This workshop is now full 🙂

As part of the Carcanet Press 50th Anniversary celebrations we are pleased to host a poetry and publication workshop with Michael Schmidt on Saturday 23 November 2019, 10.30-12.30 at the Whitworth Art Gallery, Manchester.

The fee is £20. Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:

Workshop Payment £20Pay Now Button with Credit Cards

Michael Schmidt

Michael Schmidt is a founder-editor of Carcanet Press (b. 1969) and editor of PN Review (b. 1972). He is a university teacher, literary historian, anthologist and poet.

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Mimi Khalvati, Joe Dunthorne and Lauren Garland with music from Ask My Bull: 23 November 2019

This free event is part of the Carcanet 50th anniversary celebrations. It is at the Whitworth Art Gallery at 2.30-4.00. Everyone welcome

Mimi Khalvati

Mimi Khalvati has published eight collections with Carcanet Press, including The Meanest Flower, shortlisted for the TS Eliot Prize, and Child: New and Selected Poems 1991-2011, a Poetry Book Society Special Commendation. A new collection of sonnets, Afterwardness, is due in October 2019. She is a founder of the Poetry School and a Fellow of the Royal Society of Literature.

Joe Dunthorne

Photo credit Tom Medwell

Joe Dunthorne was born and grew up in Swansea. His debut novel, Submarine, was translated into sixteen languages and adapted for film by Richard Ayoade. His second, Wild Abandon, won the Encore Award. His latest is The Adulterants. A collection of his poems, O Positive, was published earlier this year by Faber & Faber.

 

Lauren Garland

Lauren Garland is a student on the MA programme in Creative Writing at Manchester Metropolitan University. Her recent work explores friendship and visual art. Lauren’s poetry has been published in magazines including Butcher’s Dog and Poetry Salzburg Review. She was commended in the 2018 McLellan Poetry Prize and her collaboration with composer Aaron Breeze won the 2019 Rosamond Prize. Lauren is on Twitter as @GarlandLauren

Ask My Bull

AMB 4way new2.jpgAsk My Bull are a musical chimera that combines the visceral energy of punk, the danceability of drum’n’bass and the intriguing nuance of jazz: AskMy Bull is delightfully hyperactive and cinematically epic …

Beautiful chaos or a bittersweet play-fight? Ask My Bull birthed CREATURE, their first full-length album. It was released on the world in June 2019 and barely contains the energy of the band’s journey between man and beast.

Always primed for festival season, Ask My Bull’s has rocked many of the best, including Shambala, Boomtown, Beat-herder, Kendal Calling, Eden, Kelburn Garden Party, Nozstock and One Tribe/Audio Farm.

They provided the soundtrack for Vewn’s viral video ‘Cat City’, which currently has almost 2 million views on YouTube. The collaboration later aired on Adult Swim, with the band’s track ‘Army of Swans’ providing the soundtrack to Vewn’s short ‘Mask Dog’. The band even created a haunting live score for the play Oct.O.Pus … who knows what they will be getting up to next …

The band has recently completed their line up, adding a second sax player and are excited to write new material and gig in support of their album.

 

 

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