
Follow us on Instagram
No Instagram images were found.
Follow us on Twitter
Tweets by PoetsandPlayersWatch our videos on:

Follow us on Facebook
- Follow Poets & Players on WordPress.com
-
Join 205 other subscribers
Archives 2015 onwards
- October 2025
- September 2025
- August 2025
- March 2025
- February 2025
- August 2024
- March 2024
- October 2023
- September 2023
- August 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- September 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- April 2021
- December 2020
- October 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- September 2019
- August 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- August 2018
- July 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- October 2017
- September 2017
- August 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- September 2016
- August 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- August 2015
- April 2015
- March 2015
- February 2015
Links
Update for competition entrants
Just to update all of those waiting to hear whether or not they have been placed in the competition. I’m afraid we are still awaiting the final decision. Apologies for any inconvenience.
The P&P team
Posted in Uncategorized
Leave a comment
Message for competition entrants
Due to unforeseen circumstances, we are unable to notify the competition winners today, as originally promised. Please accept our apologies. As soon as we are in a position to do so we will post again to say that all the winners have been informed.
The P&P team
Posted in Uncategorized
Leave a comment
Reimagining the City: a commission by Mona Arshi, Will Harris, Maryam Hessavi & Degna Stone
Earlier this year Poets & Players commissioned Mona Arshi, Maryam Hessavi, Will Harris and Degna Stone to write a poem based on the topic ‘Reimagining the City’. The poets were given free reign to interpret this in any way they wished. We are delighted to present the following four poems:
Mona Arshi
Gateway of India
‘…speaking of other cities, I have already lost it one by one.’ Calvino
It’s early, the traffic volume still low, Kismet Coaches are arriving as I pass the sweepers along the railings, the chai wallahs stacking their perspex cups, smoking their morning beedi’s and I pass the still sleeping bodies-a man using the foam of his flip-flops for a pillow, a few beggars rising from the smoke. Around the perimeter the snack shops are selling Joos, phone cards and triple-blade razors. I step aside to avoid the speedy-boys in their brown and cream uniforms, their wire trolleys straining under the weight of the packages. The ladies’ entrance is closed this morning so I join the one easy moving queue behind a woman wearing a death before decaf! T-shirt and after security, incongruously step on a little patch of carpet that welcomes me into the square.
Under the triumphant arch, a row of apertures are filled with pigeons standing like sentry guards, each of their ragged backs against the Arabian Sea-these most revolutionary of birds are as maddening here as in any other city. The birds own this place; the pigeons, and the gulls that swarm in batches not unlike starlings, over the turrets of the old basalt gate, the harbour water and around the hotel. The Taj has erected anti-roosting spikes, aviary netting and every conceivable device but these birds are insistent as the Indian sun which now disrobes itself from the clouds as the Mumbai morning comes fully into the square. The last battalion of British troops left this spot in 1948. Two decades later and less than a mile from here, my father set sail on an Italian ship.
Will Harris
Half Got Out
I was reading a poem by
Ben Jonson where a
newborn half got out sees
the city burning and
decides to crawl back
into its mother’s womb
thine urn he calls it
it was Tuesday morning
I’d just seen Leo near
Leicester Square he
was reading a book by
W. S. Merwin a poet
himself newly returned
to his dead mother’s
womb I was feeling so
anxious Leo said kind of
low when I started to
read him it felt like I found
him at just the right time
I’m not sure but don’t
parents always talk of
their children arriving at
just the right time like
you might describe
finding your flip flops
just before a beach
holiday yes I said to Leo
he wrote that poem
didn’t he that sad dad
poem that starts
—My friend says I was not a good son
—you understand
—I say yes I understand
—he says I did not go
—to see my parents very often you know
—and I say yes I know
I love the way the
dialogue loops back in
on itself the way you
know the poet is really
talking to or about
themselves it hurts to
read it it reminds me
I could be seeing my
parents right now who
live ten stops away yes
half an hour but I’m
not and what else am I
not doing knowing
really knowing from
my top down to my
toes from whose bourne
they’ll not return you
have to work though you
have to make a living don’t
you that may be true I
don’t know I left the
library in light rain to
meet Linda for a drink
at The Chandos and she
told me her granddad
used to go to Richmond
Park to fish he was a
wireless operating
sergeant during the war
it’s not like she cares it’s
just funny you know
even if she had a
Victoria Cross taped to
her forehead it wouldn’t
stop those dickheads at
the bar from asking if
she’s Latino or something
I fucking hate this city you
understand I say yes
I understand but I don’t
know how to leave I say yes
I know I mean sorry
I don’t know I don’t
know how to leave or
where I’d even go
I looped back to enter
the tube at Leicester
Square stepping over the
body of a homeless man
to travel further again
from my mother’s
womb to Turnpike Lane
the word interred echoing
in my head how many
acres of earth were there
above me then the
whole city might have
been burning I could
already have been dead
there’s no going back my dad
said but how many times
have I crossed the point
of no return only to
crawl back down King
St or Goldhawk Rd
to eat chicken noodle
soup and talk about seat
cushions from Lidl yes
I know they’re good value
thank you for dinner thank
you half got out and
half enwombed I know
that’s just the way it is I
understand the tube
threading me like a
complex stitch beneath
and through the city
back to the house we’ve
been sharing lately
when I got in I said I’m
home and you said yes
I know and then you
filled the kettle and sat
down next to me and
said
Maryam Hessavi
red cities
I came to this planet earth
with cherries hanging on my ears
and I was not a girl.
I am also that girl.
I followed the path of the horse’s gallop,
by a setar that played without strings
and I was not a musician. I am
also that hand that plays. The man
dropped a coin for my sound.
I am that man. The glint rolled as sound
loaded a horn so loud it banged
and worth was fashioned well. I am
a bursted eardrum. The ear felt
wind sigh past. Wind cuts across
the ear. That ear is me.
The ear is a house that rests
on water with stilts that wobble.
Those stilts are me. And that house
belongs to me. Mine in my name
and my body. The body is
me where no maps are drawn.
The pencil belongs to me. I am
the belonger, and he is mine and me. Mine
is a home of cherry trees and they are
sharpened. I am the stone from one
eaten. That meal is me and I kneel
before the mouth that does.
Teeth are me. Gums.
The tongue is enough.
I am taste buds and they
flower an orchard every June.
I am June. My Mother is Joon.
Joon is a place over bitter seas.
I am that. I do not sail past blue lines.
———————————— ————* Joon, meaning ‘dear’ in Farsi
Degna Stone
The city was killing us so we tore it down
When the old city fell, we were covered in scars
but the healing had not made us stronger,
it had only made us scared. We were on the edge
of a dark age and the city had been a place to hide.
Now that the old tech doesn’t work, we’re back
to our most basic selves. Almost animal,
forming connections to the landscape
we’d tried to concrete over.
We are rebuilding without blueprints,
using instinct to create spaces to flourish.
We’ve learned to live without the old statues.
Their plinths lie empty, public notices read:
This monument has been removed until
we can find a way to put it into context.
It’s coincidence that the typeface is crimson,
though it reminds us of the times we barely
escaped through streets glittered with blood.
The truth gets less painful each time we hear it.
We’re not changing the story, only the telling.
Weaving new fables to keep our children safe.
We’ve made a home in this new city, where before
there was only shelter. Found balance,
if not yet peace.
Posted in Uncategorized
Tagged Commission, Degna Stone, Maryam Hessavi, Mona Arshi, Poets & Players, reimagining the city, Will Harris
2 Comments
Workshop with Keith Hutson
Workshop with Keith Hutson on Saturday 18 May 2019, 10.30-12.30 at the Whitworth Art Gallery, Manchester. The fee is £20. Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:
Keith Hutson
Keith has written for Coronation Street and for several well-known comedians. His plays have been performed at venues including The Royal Exchange, Manchester.
Since beginning to submit his poetry five years ago, Keith has had over 150 poems published in journals. He has also had competition successes including being longlisted twice for the National Poetry Competition, shortlisted for the Wordsworth Trust Prize, and a winner in the Poetry Business Yorkshire Prize.
Keith tours extensively with Carol Ann Duffy, recently the Edinburgh Book Festival, Durham Festival and the Queen Elizabeth Hall, South Bank.
Keith’s debut pamphlet, Routines, was published in 2016 by Poetry Salzburg (where Keith is now on the Editorial Board) followed by a smith doorstop pamphlet, Troupers (2018) which was selected by Carol Ann as a Laureate’s Choice. His debut full collection, Baldwin’s Catholic Geese, was published by Bloodaxe in February 2019.
He delivers poetry and performance workshops for the Andrew Lloyd Webber Foundation and for the Square Chapel Arts Centre Halifax.
These poems illuminate something timeless about the human spirit. Keith Hutson is a wonderful talent – his technically accomplished and hardworking poems arrive all of a piece, centre stage. Carol Ann Duffy on Baldwin’s Catholic Geese.
Posted in Uncategorized
Leave a comment
CANCELLED: Competition Event with Kei Miller, music from Daphne Duo: 18 May 2019
APOLOGIES, DUE TO UNFORESEEN CIRCUMSTANCES, THIS EVENT HAS BEEN CANCELLED: click here for full details
Please come along to our annual competition event where judge Kei Miller will announce the winners who will read their winning poems. Kei will also do a reading of his own work. The venue is the Whitworth Art Gallery, time 2.30-4.00. The event is free and everyone is welcome.
Kei Miller is a poet, novelist, essayist, short story writer and broadcaster. His many books include the novel Augustown (W&N, 2016) and poetry collection The Cartographer Tries to Map a Way to Zion (Carcanet, 2014) which won the Forward Prize (Best Poetry Collection of 2014). In 2010, the Institute of Jamaica awarded him the Silver Musgrave medal for his contributions to Literature. He has a PhD in English Literature from the University of Glasgow and is currently a Professor of English and Creative Writing at the University of Exeter. Kei Miller is represented by Renaissance One
Daphne Duo
Oscar Tabor started learning the violin at the age of 4, due to the influence of his older sister’s piano playing. His love for music was further impassioned by the tuition of Dr Robert Jacoby, with whom he started learning at the age of 9. In the years that followed, Oscar played solos with the Dorset Chamber Orchestra and performed in concerts and competitions in and around the South West of England, often with musical members of his family.
Oscar currently studies at the Royal Northern College of Music and is taught by the Czech violinist and composer Pavel Fischer. Fischer’s love for Eastern European folk music has since inspired Oscar to play a wider range of genres. These include working with the Klezmer band Kibitz, and managing a gypsy jazz outfit named the Misophone collective. In Oscar’s 3rd year studying at the Royal Northern, he met Marcus Forster, and their mutual love for a myriad of genres led to them to the forming the Daphne Duo.
Young guitarist Marcus Forster first took to the electric and bass guitar playing various styles and fusions from blues and folk to rock and metal, performing and recording with bands throughout his home county of Northumberland. At the age of twelve, Marcus turned his interest to focus on the classical guitar.
After graduating from school, Marcus had a short but fruitful career in arboriculture before beginning a Bachelor of Music degree in 2015, studying under the renowned guitarist Craig Ogden at the prestigious Royal Northern College of Music in Manchester. Marcus is currently in the fourth year of his undergraduate degree.
Daphne Duo appears by kind permission of the RNCM.
Posted in Uncategorized
Leave a comment
Commission ‘Reimagining the City’ with Mona Arshi, Will Harris, Maryam Hessavi, Degna Stone and music from Paula Darwish & Serpil Kılıç: 27 April 2019
Free poetry and music event at the Whitworth Art Gallery on 27 April 2019 (2.30-4.00). This is our annual commission event; four poets have been invited to participate in a poetry commission ‘Reimagining the City’:
Mona Arshi
Mona Arshi worked as a Human rights lawyer at Liberty before she started writing poetry. She completed her Masters in poetry in 2011 at the University of East Anglia with a distinction. Her debut collection ‘Small Hands’ won the Forward Prize for best first collection in 2015. She has also been a prizewinner in the Magma, Troubadour and Manchester creative writing competitions. Mona was the 2016-2017 Arvon/Jerwood poetry mentor .She has performed her work at over 40 Festivals both here and abroad. She has read at the Royal Society of Literature, the Poetry School, The Southbank and in 2017 she was one of the judges for the Forward Prize. Mona makes regular appearances on the radio including Front Row and was recently commissioned to write a programme on the Odyssey for ‘Book of the week’ for Radio 4. Her poems and interviews have been published in many magazines including The Times, The Guardian, The Times of India as well as on the London Underground. In 2015 Sathnam Sanghera from the Times described Mona as ‘nothing less than Britain’s most promising writer.’
Mona’s second collection ‘Dear Big Gods’ is to due to be published in April 2019 by Liverpool University Press.
Will Harris
Will Harris is a London-based poet and critic. He is the author of the chapbook of poems, All this is implied (HappenStance, 2017), and the essay, Mixed-Race Superman (Peninsula Press, 2018). His first full-length poetry book, RENDANG, is forthcoming from Granta in spring 2020.
Maryam Hessavi
Maryam Hessavi a British, Manchester-based poet. An Alumni of The University of Manchester, her poetry has featured in various commissions, Peter Barlow’s Cigarette series, Ledbury Festival 2018 readings, readings with Kevin Bateman Presents, Smoke Magazine, Ambit and The Emma Press. She is a Ledbury Critic, with reviews featured or forthcoming in The Manchester Review, Poetry London, Poetry Wales, The Poetry School, PBS, Magma, Ambit and The Guardian.
Degna Stone
Degna Stone is a co-founder of Butcher’s Dog poetry magazine, a contributing editor at The Rialto and a pamphlet selector for the Poetry Book Society. She received a Northern Writers Award in 2015 and is a fellow of The Complete Works III. She is an Inscribe supported writer and her latest pamphlet Handling Stolen Goods is published by Peepal Tree Press. Her appearances include: StAnza International Poetry Festival, Leeds Lit Festival and BBC Radio 3s The Verb. (Photo credit: Phil Punton).
Paula Darwish and Serpil Kılıç
Already a singer/songwriter in her own right, Paula Darwish became more well known in the early 2000s for her unique and captivating interpretations of Turkish and Kurdish folk songs. Her growing passion for the the old folk music of the Anatolia region led to the founding of the Country & Eastern band in Manchester (2002-2012). The band combined elements of Turkish and later Kurdish folk with electric instruments and western grooves. Paula now mainly performs acoustically with Serpil, who is originally from Dersim province in Turkey and has been playing bağlama with Paula since 2004. As well as Turkish and Kurdish songs, their repertoire also includes song in Arabic, Armenian and other Middle Eastern languages.
Posted in Uncategorized
Leave a comment
Workshop with John McAuliffe: 27 April 2019
Workshop with John McAuliife on Saturday 27 April 2019, 10.30-12.30 at the Whitworth Art Gallery, Manchester. The fee is £20. Participants are invited to bring along a poem to share with John and the group for feedback (please bring 15 copies of the poem). Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:
John McAuliffe
John McAuliffe has worked as a poet and teacher in Manchester since 2004. His fourth book The Way In won the Michael Hartnett Prize in 2016. His versions of Igor Klikovac, Stockholm Syndrome (Smith Doorstop), is the PBS Spring Pamphlet Choice, and a pamphlet of new poems, A Good Connection, is forthcoming with Periplum later this year. He also writes a regular poetry column for The Irish Times.
Posted in Uncategorized
Leave a comment
Jacob Polley, Phoebe Power & Amy McCauley with music from Rachael Gladwin: 23 March 2019
Free event at the Whitworth Art Gallery. All welcome.
Jacob Polley
Jacob Polley was born and grew up in Cumbria. He has published four books of poems with Picador, winning the 2016 T.S. Eliot Prize for poetry for his fourth, Jackself. He was also awarded the 2013 Geoffrey Faber Memorial Prize, for The Havocs, and the Somerset Maugham Award for his first novel, Talk of the Town (2009). Jacob has written and performed drama for the radio, as well as made films and various collaborative public art and performance pieces. Jacob is Professor of Creative Writing at Newcastle University and lives with his family on the North East coast.
Jackself was described by the judges of the T.S. Eliot Prize as ‘a firework of a book; inventive, exciting and outstanding in its imaginative range and depth of feeling.’ A poet of the uncanny and the startlingly lyrical, Jacob Polley’s work explores his rural upbringing, the forces of tradition and history, and the power of speech as it approaches song.
Phoebe Power
Phoebe Power’s debut poetry collection, Shrines of Upper Austria (Carcanet, 2018), is a Poetry Book Society Recommendation, Winner of the 2018 Forward (Felix Dennis) Prize for Best First Collection and shortlisted for the 2018 T.S. Eliot Prize. She has collaborated with other artists on projects including a live performance of her pamphlet Harp Duet (Eyewear, 2016), and Christl, a video installation involving poetry, visual art and sound. Phoebe received a Northern Writers’ Award in 2014 and an Eric Gregory Award from the Society of Authors in 2012.
Amy McCauley
Amy McCauley is a poet, editor, performer and workshop facilitator. She is an Editor at MAI: Journal of Feminism and Visual Culture and her dramatic work Oedipa was published by Guillemot Press in 2018.
Rachael Gladwin
Rachael Gladwin is a singer-songwriter and contemporary harpist. Her upbeat folky songs deliver melodic stories about people, places and journeys. Rachael also works in jazz, music for street theatre and indoor theatre, large scale performance projects, creative session playing and performing nationwide with various bands. She has played and recorded with dozens of artists including Guy Garvey, Corinne Bailey Rae, DJ Shadow, Jimmy Osmond and Susan Boyle. Internationally, Rachael is the harpist for the dazzling French street theatre company La Machine where she performs on a moving cherry picker 40 feet in the air next to giant roaming mechanical animals.
For Poets and Players Rachael will be performing songs from her 2018 album, Somewhere by the Moon.
Posted in Uncategorized
Leave a comment
Workshop with Mark Pajak: 23 March 2019
Workshop with Mark Pajak on Saturday 23 March 2019, 10.30-12.30 at the Whitworth Art Gallery, Manchester. The fee is £20. Please email davidborrott@btinternet.com to confirm a place. Once your place has been confirmed payment can be made by cheque or by using the PayPal button below:
Mark Pajak
Mark Pajak’s work has appeared in The London Review of Books, Poetry London, The North, The Rialto and Magma. He has been commended in the National Poetry Competition, awarded first place in The Bridport Prize and has also received a Northern Writers’ Award, an Eric Gregory Award and an UNESCO international writing residency. His first pamphlet, Spitting Distance, was selected by Carol Ann Duffy as a Laureate’s Choice and is published with smith|doorstop.
Posted in Uncategorized
Leave a comment



